《查太莱夫人的情人(双语)》
分类: txts3
，他内心的某些东西已然泯灭，某些情感也都消失不见了。只有失去知觉后的空白。
Constance, his wife, was a ruddy, country-looking girl with soft brown hair and sturdy body, and slow movements, full of unusual energy. She had big, wondering eyes, and a soft mild voice, and seemed just to have come from her native village. It was not so at all. Her father was the once well-known R.A., old Sir Malcolm Reid. Her mother had been one of the cultivated Fabians in the palmy, rather pre-Raphaelite days. Between artists and cultured socialists, Constance and her sister Hilda had had what might be called an aesthetically unconventional upbringing. They had been taken to Paris and Florence and Rome to breathe in art, and they had been taken also in the other direction, to the Hague and Berlin, to great Socialist conventions, where the speakers spoke in every civilized tongue, and no one was abashed.
其妻康斯坦斯，面若桃花，一副乡下姑娘的模样，满头柔软的棕发，体格结实强壮，行动慢条斯理，精力异常充沛。她那一对杏眼，充满好奇，嗓音温软，像是刚从故乡的村子里走出。但事实并非如此。其父老马尔科姆·里德爵士，曾是尽人皆知的皇家艺术学会（注：位于英国伦敦的著名艺术机构）会员。在那段前拉斐尔派（注：1848年在英国兴起的美术改革运动，对后世的英国绘画有着深远的影响）还如日中天的繁荣时期，其母也是位学识渊博的费边社（注：英国社会改良主义团体，1884年成立于伦敦，主张采取缓慢渐进的策略来达到社会改良的目的）社员。受到艺术家及有教养的社会主义者的熏陶，康斯坦斯与妹妹希尔达可以算是受到了新颖的美学上的教养。她们曾随父母到过巴黎、佛罗伦萨以及罗马，呼吸那里的艺术气息，也去过海牙与柏林，参与社会主义者的盛会，在那里形形色色的演说者操着各国语言，谈吐文雅，举止大方?
The two girls, therefore, were from an early age not the least daunted by either art or ideal politics. It was their natural atmosphere. They were at once cosmopolitan and provincial, with the cosmopolitan provincialism of art that goes with pure social ideals.
对于艺术或者理想主义政治，姐妹俩从小就没有半点胆怯之心。她们反倒对此习以为常。她们大气广博，又不失乡土本色，她们那交融着世界性及地方色彩的艺术品味，与纯粹的社会理想相辅相成。
They had been sent to Dresden at the age of fifteen, for music among other things. And they had had a good time there. They lived freely among the students, they argued with the men over philosophical, sociological and artistic matters, they were just as good as the men themselves: only better, since they were women. And they tramped off to the forests with sturdy youths bearing guitars, twang-twang! The
Constance, his wife, was a ruddy, country-looking girl with soft brown hair and sturdy body, and slow movements, full of unusual energy. She had big, wondering eyes, and a soft mild voice, and seemed just to have come from her native village. It was not so at all. Her father was the once well-known R.A., old Sir Malcolm Reid. Her mother had been one of the cultivated Fabians in the palmy, rather pre-Raphaelite days. Between artists and cultured socialists, Constance and her sister Hilda had had what might be called an aesthetically unconventional upbringing. They had been taken to Paris and Florence and Rome to breathe in art, and they had been taken also in the other direction, to the Hague and Berlin, to great Socialist conventions, where the speakers spoke in every civilized tongue, and no one was abashed.
其妻康斯坦斯，面若桃花，一副乡下姑娘的模样，满头柔软的棕发，体格结实强壮，行动慢条斯理，精力异常充沛。她那一对杏眼，充满好奇，嗓音温软，像是刚从故乡的村子里走出。但事实并非如此。其父老马尔科姆·里德爵士，曾是尽人皆知的皇家艺术学会（注：位于英国伦敦的著名艺术机构）会员。在那段前拉斐尔派（注：1848年在英国兴起的美术改革运动，对后世的英国绘画有着深远的影响）还如日中天的繁荣时期，其母也是位学识渊博的费边社（注：英国社会改良主义团体，1884年成立于伦敦，主张采取缓慢渐进的策略来达到社会改良的目的）社员。受到艺术家及有教养的社会主义者的熏陶，康斯坦斯与妹妹希尔达可以算是受到了新颖的美学上的教养。她们曾随父母到过巴黎、佛罗伦萨以及罗马，呼吸那里的艺术气息，也去过海牙与柏林，参与社会主义者的盛会，在那里形形色色的演说者操着各国语言，谈吐文雅，举止大方?
The two girls, therefore, were from an early age not the least daunted by either art or ideal politics. It was their natural atmosphere. They were at once cosmopolitan and provincial, with the cosmopolitan provincialism of art that goes with pure social ideals.
对于艺术或者理想主义政治，姐妹俩从小就没有半点胆怯之心。她们反倒对此习以为常。她们大气广博，又不失乡土本色，她们那交融着世界性及地方色彩的艺术品味，与纯粹的社会理想相辅相成。
They had been sent to Dresden at the age of fifteen, for music among other things. And they had had a good time there. They lived freely among the students, they argued with the men over philosophical, sociological and artistic matters, they were just as good as the men themselves: only better, since they were women. And they tramped off to the forests with sturdy youths bearing guitars, twang-twang! The